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A couple years later we wouldn't have had the pleasure of seeing Fay Wray clad in a torn to shreds jungle jane costume, and especially not then falling in the water wearing said outfit! And probably not the degree of violence we have here: in one particular fight Kong has with T-rex he breaks the dinosaur's head by pulling its jaws so far open! The vintage special effects are great.
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If I was Kong, i know i'd beat the hell out of any dinosaur there was in order to protect her! Luckily, King Kong came in the period between 19 when there was no production code in Hollywood, so content was not censored. And the lovely Fay Wray offers reason enough to watch this on her own. The beginning is fairly talky, but it picks up. The music also, is great, and along with mist and good cinematography helps create a mysterious atmosphere. The performances have false moments, but as an adventure picture it develops well, taking us gradually further towards the mystery of the legend of Kong, then follows Kong as the whole drama of his attempted capture plays out. This is a film about the emptiness and recklessness of Hollywood, yet the satire is not bitter, but tongue-in-cheek in a way that follows James Whale's advice for putting subtexts in genre films, ie, not spoiling it for those viewers who don't "get the joke." So Kong can be enjoyed as a pure genre picture.
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If he is unable to capture it on film, he tells us early on in the picture, he'll destroy it without a second thought. There is a great subtext: the story is about a filmmaker who travels to overseas locations, such as jungles, to film his movies - he cares nothing for the cultures he may be violating, all he cares is capturing the spectacle on film. Self-reflection and satire of Hollywood is everywhere, which came as a great shock to me. "He was a king and a god in the world he knew, but now he comes to civilisation merely a captive, a show to gratify your curiosity," the director says to the vaudeville house, before a curtain goes up and we see Kong suspended with his arms nailed out, as if on a cross. In conversations I had with people who attended and remembered this opening, there was no music from the film used in any of these shows." Source: John Morgan, "Reconstruction Notes by John Morgan," Steiner: King Kong. Hearing the recorded "proof" of this Overture confirmed our suspicions: it was merely those same few acetates that have been floating around for years, professionally edited into a short Suite and called an Overture. Morgan writes, "Another rumour has recently surfaced that Steiner composed an Overture for the film's world premiere opening in 1933 - there was even a recent recording claiming to be this long-lost Overture.
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According to John Morgan's notes on the score's re-construction, the overture was not written by Max Steiner.
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Note, however, that the overture was not part of the film's original exhibition. two-disc DVD collector's edition version. This increased the run time to slightly over 104 minutes. On November 22, 2005, Turner Classic Movies premiered a version with a four minute overture added.